![]() ![]() Symphony No.4 in F minorįour movements: Allegro Andante moderato Scherzo: Allegro molto Finale con Epilogo fugato: Allegro molto.Ĭlassical Net guide Symphony No.5 in D majorĭedication: To Jean Sibelius, without permission.įour movements: Preludio: Moderato Scherzo: Presto Romanza: Lento Passacaglia: Moderato. MusicWeb guide Pastoral Symphony Symphony No 3įor full orchestra, with soprano (or tenor) voice.įour movements: Molto moderato Lento moderato Moderato pesante Lento. Vaughan Williams did not number his symphonies but designated them with either a name or a key signature.įor soprano, baritone, mixed chorus, and orchestra.ĭedication: To R.L.W.įour movements A Song for All Seas, All Ships On the Beach at Night, Alone Scherzo (The Waves) Allegro brillante The Explorers: Grave e molto adagio.Īlso see Kenneth Kilfedder’s page A London Symphonyĭedication: To the memory of George Butterworth.įour movements: Lento-allegro risoluto Lento Scherzo (Nocturne) Allegro vivace Finale: Andante con moto-maestoso alla marcia (quasi lento)-allegro-maestoso alla marcia-Epilogue: Andante sostenuto. His last, composed between 19 was Symphony No 9, originally inspired by Hardy’s work “Tess of the D’Urbervilles”. His first was A Sea Symphony written between 19 in which he explores the ‘deep waters’ of Walt Whitman’s “Leaves of Grass”. Vaughan Williams wrote nine symphonies, no two of which are similar.
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